The other big change on 1989 is that for the first time in years, there are no diss tracks dishing about Swift’s exes. A few of the songs are about her relationships and love life, but they’re mostly wistful and nostalgic, not finger-pointy or score-settling. “Different phases of your life have different levels of deep, traumatizing heartbreak,” Swift says. “And in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boycentric.